Courtney Pine — Destiny’s song and the image of pursuance (1988)

Courtney Pine - Destiny's song and the image of pursuance (1988)

Artist: Courtney Pine
Title Of Album: Destiny’s song and the image of
pursuance
Year Of Release: 1988
Label: Island Records, Antilles
Genre: Jazz, Post-Bop
Format: Flac/Cue/Log/Artwork
Quality: Lossless
Total Time: 54:17
Total Size: 342 MB(+5%)

Courtney Pine - Destiny's song and the image of pursuance (1988)

Artist: Courtney Pine
Title Of Album: Destiny’s song and the image of
pursuance
Year Of Release: 1988
Label: Island Records, Antilles
Genre: Jazz, Post-Bop
Format: Flac/Cue/Log/Artwork
Quality: Lossless
Total Time: 54:17
Total Size: 342 MB(+5%)

Tracklist

01 — Beyond the thought of my last reckoning
02 — In pursuance
03 — The vision
04 — Guardian of the flame
05 — Round midnight
06 — Sacrifice
07 — Prismic omnipotence
08 — Alone
09 — A raggamuffin’s tale
10 — Mark of time

Courtney Pine - Destiny's song and the image of pursuance (1988)

personnel :

Gary Crosby — Double Bass
Mark Mondesir — Drums
Joe Bashorun — Piano
Courtney Pine — Tenor Saxophone, Soprano Saxophone

Courtney Pine’s second album stays very much within the
Marsalis-imposed boundaries of post-Miles post-bop; indeed, a
Marsalis brother, Delfeayo, is the producer, and the album’s
subtitle uses the patented kind of wordplay that the New Orleans
dynasty indulges in. As before, Pine’s guiding star is John
Coltrane, of whom he had become a fervent and skillful acolyte,
tossing off endless streams of heated playing on tenor and soprano
inside and outside. Pine also uses alternating expert teams of
English acoustic jazz specialists — Julian Joseph or Joe Bashorun
on piano, Paul Hunt or Gary Crosby on bass, and Mark Mondesir on
drums — as backup. There are some really good Pine compositions
here; «Sacrifice» sounds as if it could have made it as a standard
in mainstream and/or electric jazz. Although the novelty of a young
black Englishman playing Afro-American acoustic jazz has long since
worn off, much of this CD repays repeated latter-day listening. ~
Richard S. Ginell

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